Tag Archives: Final Cut editing

Stills into Motion

As someone that got into photography as a way to get into film I have previously experimented in using still images in sequences, sometimes as story boards and sometimes as actual story devices accompanied by sound tracks. But up until now I have never turned my portfolio into a moving sequence. I may be a little late to the party as applications such as Aperture already have built in tools for creating such things, I have in used them to create event slide shows in the past. But although great I chose to use Final Cut to turn my photographic portfolio into a short sequence, partly due to the being able to fine tune transitions, size and add text. Continue reading »

Martins Pond

 

Matins Pond is situated in the idilic village of Potten End, Hertfordshire. This short film was designed to increase the pubs profile online by creating something that could be used on many platforms, YouTube, Facebook, Twitter and set it apart from others in the area. The interior part of the soot was shot one day and the exteriors another due to the snow.

Shot using 2 Canon 5D’s and edited using FCP

Nokia Gift Machine at Cafe 1001, Shoreditch

A couple of weeks I edited the above video for Angelic Films about Nokia’s Gift Machine which they installed in Cafe 1001, Shoreditch, London. The Gift machine as more stamps in its passport than I do, being that it’s been to Spain the U.A.E and many other places. Created by 1001 Heads, the Nokia Gift Machine links up with Foursquare allowing people to win free stuff when they check into the gift machine where ever it is in the world and you don’t have to me a Nokia user to do it. The film was shot using a Canon 5d mk2 and edited on FCP7.

Testing Times

 

Testing kit is essential, whether it is a new purchase or just something you’ve hired in or borrowed. User manuals are great as are the hundreds of user videos on Vimeo and YouTube but actually testing and playing with a bit of kit gives you the opportunity to try things others have not thought of or in situations unique to you.

Next week we’ve got a time lapse running from Monday to Wednesday for a client using a GoPro HD Hero2. The reason we have opted for this camera is a result of several factors but mainly due to power, the GoPro can be powered from the mains using a mini USB adapter. This means the camera can be set up and left to run for the whole time using a large SD card. This brings the cost down for the client and hassle for us.

On this occasion the client is supplying their own camera but relying on us to capture the sequence. To that end I have bought my own GoPro HD Hero2 and started the testing. It is something I have wanted an excuse to buy any way and am sure it will get used in the future anyway. So today the testing started with a time lapse test on a drive from home to Pinewood Studios. I set the camera to shoot at half second intervals and I turned off the spot meter.

One thing I find out that I hadn’t read about was the fact that the GoPro seems to have a folder max size of 999 images and when it hits that limit it creates and starts a new folder. This of course means that multiple image sequences had to be created in QuickTime Pro. These were then edited together in FCP 7. Music came from audionetwork costing a whole £1 for a non commercial licence . Rather that then ripping something off itunes and not paying for it even if the project is non profit. Musicians are artists too. There are many instances where the internet becomes enraged when a filmmaker or photographer has their work is used without permission and shared with the world so it’s a shame so many don’t seem to have the same respect for other artist’s work.

 

moments in time

Moments in time from Christopher Hughes on Vimeo.

HDSLR cameras have amongst other things created a great resurgence in time lapse photography. The ease and simplicity can make for quite a addictive experience as you don’t always know what exactly you are going to capture.

Last week I too dipped, for the first time, my toe into these time lapse waters and above is the result. The film is created from seven sessions of between thirty minute and an hour and a half  shooting a frame every three or four seconds. QuickTime’s were created from the stills using Quicktime 7 and the whole thing edited using Final Cut Pro. which took quick some time because of the amount of rendering required because of the native size of each of the time lapse QuickTimes.

The music for the film is by the amazing Moby and was licensed from mobygratis.com a wonderful resource for non profit film makers, something I had heard about sometime ago but never looked into until now.

Kit used:
  • Canon 5d MK2
  • Canon EF 24-70mm 2.8f
  • Manfrotto 561 BDHV monopod
  • Yongnuo Timer Remote Controller
  • Zacuto Z-finder

Death of 16mm Film Somewhat Exaggerated

Twitter has been alive today with reports that Soho Images will no longer print 16mm film. There has even been a petition set up to get them to change their  minds  Now Deluxe, Soho images new owner has it’s main UK lab in Denham and as for as I am aware it stopped processing 16mm film back in the day when it was called Rank ilm Labs and  that was some time ago.

Should we be worried by Deluxe’s plans? I think not. Sad? A little possibly, less people will get the experience of playing their rushes on a projector or cutting it on a Steenbeck.  There is something very tactile and gratifying about film, but it is also very frustrating sometimes.  I’m lucky I learnt to edit on four and six plate Steenbeck’s. But today there is to real arena for 16mm projection or need for printing with the advent of relatively cheap edit systems like Final Cut Pro and Avid.  Films that are shot on 16mm like most 35mm films these days go through a digital intermediate process, scanned to telecine it, edited, selectively scanned, graded and then shot back to film or mastered into a DCP (Digital Cinema Package). Very little 16mm film is actually edited by hand. and the skills are somewhat redundant.

16mm or super 16mm is still a great format for image acquisition film has a huge latitude beyond the digital poster boy, The Red. It should be noted that widescreen 16mm,Super 16mm does not have room on the negative for an optical or magnetic sound track, making it pretty useless for projection without the use of a double header projector, running the film and sound separately.

16mm and super 16mm  cameras are more generally reliable than the Red camera by a country mile as well, less to go wrong.  The film itself can be manipulated to get fantastics looks with a good DOP and there is still lots of great kit that was designed to last a life time.  Film cameras don’t get replaced, they get repaired that is how they were designed and there is still lots of it around with sets of gorgeous image producing lenses. So lets not shed too many tears yet, 16mm is still alive and will. Improvement in film emulsions and scanners will along with people wanting to create interesting looks probably will keep 16mm around for some time yet.

Recent films shot or partly shot on super 16mm film include, Black Swan and The Hurt Locker.